Dynamics of Tactility In Media Studies: From Haptics To Novel Perspectives In Art

This study examines the evolution of haptic aesthetics and its impact on contemporary art and sensory perception. It explores the origins of haptic perception through distinctions between tactile and visual experiences, as theorized by Alois Riegl. The research emphasizes the importance of touch in 20th-century multisensory art strategies, particularly in the works of the Futurists and in the development of virtual reality technologies. By categorizing haptic sensations into skin, flesh, and body, the study reveals how tactile interactions influence artistic expression and challenge sensory hierarchies. It also investigates the shift in museum practices away from touch-based interaction toward visual appreciation. Additionally, a contemporary project integrating biohybrid technologies is explored, blurring the lines between organic and synthetic materials. Ultimately, the research advocates for reintegrating tactile experiences in the digital era, highlighting their significance in understanding art, technology, and the body.